The wonderful ascent of the Fifth Serpent of Light inward and upward through the Spinal Medullary Channel of the Causal Body, gave me in fact frank access to the Initiatic Mysteries of the Fifth Degree of Venustic Wisdom.
If I were to write in detail everything that I learned then in the thirty-three holy chambers of the causal world, it is obvious that I would fill an enormous volume.
As a Causal Man, seated with much humility I crossed my arms over my chest to attend the final ceremony…
Unfortunately I had the atrocious habit of crossing the arms in such a way that the left arm was over the right one…
“You should not cross your arms in this way”—an Adept of the Temple said— and then he added: “The right arm must be over the left”. I obeyed his indications.
Have you ever seen Egyptian sarcophagi? The arms of the dead people crossed over their chests illustrate these assertions.
A skull between two shinbones as a signal of danger tells the same story.
To do the will of the Father in heaven as it is on earth, to die in the Lord, is the deep meaning of this symbol…
The Great Kabir Jesus, in the Mount of Olives, prayed thus:
“Father, if thou art willing, remove this cup from me; nevertheless not my will, but thine be done”.
And being in an agony he prayed more earnestly; and his sweat became like great drops of blood falling down upon the ground. And when he rose from prayer, he came to the disciples and found them sleep for sorrow (with the Consciousness asleep), and he said to them, “Why do you sleep? (Why do you have your Consciousness asleep?) Rise and pray that you may not enter into temptation.” (Because it is clear that those that sleep are falling into temptation).
In truth, in truth I tell you that your Consciousness must always be alert and vigilant as a watchman in times of war.
It is written:
“Before the cock (the Word) crows (or is incarnated in us) you will deny me three times”.
When the Hierophant Patar or Peter forgot himself, he denied the Intimate Christ three times.
Peter, Petra or Stone was the actual Hierophant—“interpreter” in Phoenician—from which the famous evangelic sentence has its origin: “You are Peter and on this Stone I will build my Church” (our interior Temple).
Bunsen, in his “The place of Egypt in Universal History” (Vol. 5, p. 90), comments in turn on the inscription found in a sarcophagus of a great queen of the eleventh dynasty (2250 years BC) which is just a transcription of of the “Book of the Dead” (4500 years B.C.), interpreting hieroglyphs of Peter, Patar, Revelation, Initiation, etc., etc., etc.
The ancient medieval alchemists made no mistakes when they discovered the “initiatory stone” in our sexual organs…
Unquestionably, to spill the Vase of Hermes, to prostitute the Stone of Truth, is equivalent to denying the Christ…
From the All-Unknowable or Radical Zero, emanates, at the beginning of a manifestation or Universe, the Pythagorical Monad, the Logos, the Arch-Magus or Hierophant, the One-Only, the Buddhist Aunand-Ad, the chaldean Ain-Soph, En Soph or Pneuma-Eikon, the Ruach Elohim or Divine Spirit of the Lord floating over the generating waters, the Existent by himself, Anupadaka, or aryan Manú-Swayambu- Narayana.
This, the particular Monad of each of us is transformed into the most sublime Duality: our particular, individual Divine Mother Kundalini…
Him and Her are actually the gnostic Father-Mother, the parsee Zeru-Ana, the Dual Protogonos or Adam Kadmon, the Theos-Chaos of “The Theogony” by Hesiod, the chaldean Ur-Anas or Fire and Water, the egyptian Osiris-Isis, the Jah-Hovah, the semitic Jehova or Iod-Heve, etc., etc., etc.
The word Rome12 has as inverse the word Love. The Sacrament of the Church of Love or Rome is the Sahaja-Maithuna (Sexual Magic).
We must learn to carry out this Holy Sacrament, vibrating in tune with the divine couple.
He must become the live expression of the hebraic Iod; she must be the live manifestation of Heve.
The kabbalist Adam-Kadmon, the Rha-Sephira or Eternal Masculine-Feminine harmonising perfectly above and below, in the infinitely large and in the infinitely small, constitutes the culminating note of the Mount of Olives.
Samael Aun Weor
