With the Sahaja Maithuna (Sexual Magic), as practiced in schools of White Tantrism, the willpower increases infinitely through the unleashing and omnipotent actualization of subtle nervous currents.
We need to enquire, research and investigate the delicious paroxysm of sexual union as it is not just a reflection of the Tamas, according to the Tantra.
During the paroxysm of joy, we should directly discover the cosmic and creative synthesis of SHIVA (Holy Spirit) and SHAKTI (His Divine Wife Kundalini).
Whilst the ordinary intellectual animal is fatally defeated by abominable lustfulness and gets carried away by passionate affection, in other words, suffers during enjoyment for the vile completion of pleasure, the Gnostic esoterist, during coitus and in full ecstasy, victoriously enters the region of the Monads in the splendid world of TATWAANUPADAKA.
In the preceding level to that world of ANUPADAKA lies the extraordinary principle of the power which is the domain of space, time and causality and is called AKASHA TATWA, (Dwelling of ATMAN – BUDDHI – MANAS).
It is written in golden words in the great book of all splendours that sexual Paroxysm is PROTO-TATWIC.
An interplay of extraordinary vibrations begin during the MAITHUNA with the Tatwa of Gold, Phrithvi, the magnificent ether of the perfumed earth keeping exact harmony with our physical body.
The harp continues, in its delicious vibrations, trembling the waters of universal life (Apas), the ENS SEMINIS.
The breath (Vayu) ostensibly alters and in the subtle atmosphere of the world the lyre of Orpheus resounds.
The sacred Flame (Tejas) is ignited in the mysterious candlestick of the spine.
Now… Oh Gods! The knight (Manas Superior) and his Lady (Buddhi) ardently embrace each other in the region of pure AKASHA, trembling with sexual paroxysm.
However, it is clear and obvious that AKASHA is only a bridge of wonders and prodigies between the TATWAS Phrithvi (Earth) and ANUPADAKA (the World of Splendours).
Sexual Paroxysm crosses the bridge of joy and enters the world of Aziluth – the region of ANUPADAKA, the dwelling of SHIVA and SHAKTI – then HE and SHE shine gloriously, raptured with love.
Women, hearken to me: “SHAKTI must be lived regally during intercourse as MAYASHAKTI (Woman – Eve – Goddess). Only this way can the success of the consubstantiation of love be achieved in the Psycho-physiologic realism of your nature.
Gnostic man should personify SHIVA (The Holy Spirit) during the SAHAJA MAITHUNA (Sexual Magic), he should feel flooded with this marvellous strength from the Third Logos.
Kalianamella repeatedly refers to the fact that the fulfilment of the code of love is much more difficult than the layman imagines.
The preparatory enjoyments are by themselves complicated. This art has to be used in exact accordance with the precepts to bring about the arousal of a woman’s passion in the same way that a fire is brought to life and for her Yoni to become softer, more elastic and suitable for the act of love.
ANANGARANGA confers great importance to both components of the couple not allowing any cooling down in their everyday life nor weariness or satiety in their relations; accomplishing the consummation of love with concentration and total surrender. The method of intercourse, that is to say, its position as described is called ASANA.
For those readers of an appropriate age we describe in this present chapter the position called TIRYAK.
The TIRYAK position has three subdivisions, in which the woman always lies on her side.
- The man positions himself alongside and facing the woman, taking one of her legs and placing it on his waist. Only with a fully developed woman can this posture be completely satisfied, which should not be attempted with young women.
- The man and woman lie on their sides and she should not move at all.
- Lying on his side, the man moves between the woman’s thighs in such a way that one of her thighs is under him and the other on his waist.
It is useful to invoke KAMADEVI during the SAHAJA MAITHUNA in the “Forge of Cyclops.”
KAMADEVI is the Hindu God of Love. His name literally means God of Desire and he is considered to be the son of the sky and desire.
Rati (Tenderness) is his wife, and Vasanta (the flowering Season) is his companion who constantly carries his quiver of arrows tipped with flowers.
KAMADEVI had a visible figure, but as he offended the Master of Creation, Hara, by his practices, the latter reduced him to cinders with a glare; the Gods then revived him by dropping nectar on the ashes, and since then he is called “Bodiless”.
He is represented as riding on a parrot, his sugar-cane bow stretched by a string of bees. The earthly couple ADAM – EVE, through SAHAJA MAITHUNA (Sexual Magic) find their contact even more human and more pure in the divine elevated couple SHIVA – SHAKTI.
Homer has verified
a description of the loving embrace of the Divine couple which is both delicate
and magical.
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“Below them the germinating earth produced florid verdure, Lotuses, succulent clover, hyacinths and crocus that compacted, swollen and tender from the soil as they rose, and there lay hauling up the twinkling, golden clouds and the sparkling dew fell upon the ground.”
Intoxicated by the wine of love, beautifully attired in the gown of transcendental spirituality and crowned with the flowers of happiness, we should take advantage of the tremendous vibration of Tattwa ANUPADAKA during sexual paroxysm, imploring the Igneous Serpent of our magical powers to eliminate from our interior nature the psychological defects that we have already profoundly understood in all regions of the subconscious. This is how we die from instant to instant and from moment to moment, only with death comes the new.
Samael Aun Weor
